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Outside, the Great Drought

by Hyena

/
1.
Salutations 03:24
Come all to see me in all your common clothes. The closest of you are strangers bitten by a fine-toothed comb. Oh, hold your feet from tapping. Hold your hands from clapping. Applause with glossy eyes. It’s fine, say, It’s Fine, Say, IT’S FINE! Oh my – you see, So many ice cubes I’ve eaten; I only feel defeated. Our fears are so deep seeded - they bear our tainted beaming smiles – gleaming! My stomach’s simply screaming, “Oh fine, I’m full! and spoiled! and fat!” but my hand’s are simply freezing, could you warm them with your smiled cries mild tried attempts at – la, la-da-da, la-da-da, la-da-DA-DA-DA-DA-DA! So long my dears! So long my dears! So long my fears! I give them to you my dears!!!
2.
Portraits 04:11
I’m working on a self-portrait, but my limbs are being torn apart, yeah my heart is being pulled at every angle. You can reach me at any time of the day… So, I’m loosing focus, of what is best – for me. What’s best for everybody else, and what is left – for me to define my self portrait! I’m searching for an answer. I’m searching desperately for all the answers. And I’m doing my best, I’m doing my best, I’m doing the best that I can so we can all come out of this is one whole piece! Oh please! But what can I say? If I ever have kids, the television’s gonna teach them to count with casualties and that’s no way to learn – how to count on the ones who promised never to hurt, but is seems like they’re all out to hurt you, like they packed up their things to desert you, and I’m sorry but I’m just trying to figure out what I can do to save my own sanity! and finish the final touches to a portrait that clearly has no sense of clarity – Darling, I’mmmm – Sorry!!! But what can I say? What can I say? NOTHIN’. …at all. at all. at all.
3.
Fiction 05:48
He sat in the parlor with a plastic battery powered cat he had purchased of an infomercial in the middle of the night! He laughed when it sang! and his rosy drunk cheeks ordered the drink I drank down sank down into an empty stomach. Santa Clause outside blew smoke in the face of a small-child-girl who would cry through the night as the impostor slept in an alleyway… Back at the café the old man bought a flower from a charming street vender: a purchase! an investment! a flower! a flower! Mother!!! Fiction has taken my life! Mother, why do you bother (with me)? Fiction has taken my…life…. In a park a kilometre away from all of this, two teenagers kissed for the very first time in a gazebo and talked about how lovely the weather was! Even though winter was coming and their teacher said it looked, it looked like London, but London was still a train and a tunnel away… In a train! a man’s passport was stolen… Over train tracks his identity was stolen! He never thought much of it anyways, with a new beginning he starting a popular clothing vending company that employed children in lands far away for an underpaid wage! Oh! you know, Fiction has taken my, my, my… Mother! why do you bother with me? cause fiction has taken my…life… But I just cannot understand! why – fiction and fantasy are what they are, photographed moons leave out the stars, the couple in the park give up kisses for cars, protestors’ brothers empty credit cards, the park is covered with beer cans and trash, in ten years I’ll be tapping cigarette ash, mothers and fathers weep in empty beds, people in costumes forget what they’ve said, old men fall asleep on the stools of cafes, withering flowers in their hands lay, young men end up on late busses home, regretting comments made to the old, pet cats die with batteries, writers romance tragedies.
4.
I eat all your words and make everyone dumb, the air feels heavy let’s call it a cultural sublimation. I dreamed you alive into this world, but we polished and we polished and we washed it all away. Like how I live in fear of filing all of my thoughts away – I haven’t done a single day’s work, but I’m feeling oh-so-lazy. I dreamed you alive into this world, but we polished and we polished and we never even left a single stain. My heroes are bloated and their egos are, as well (oh well) but my spirit here is the thinnest of all – diamond studded and dull. I dreamed you alive into this world... but we polished and we polished and we left you nice and garnished with lace and flowered harness you were left until you tarnished trapped within our treasured chests, yes, we promised you the best, but time would surely be the test, and careless in our unrest, we came to rely on you to keep us cheering, hearing words that kept us steering for the goal – the grand revealing, but our eyes turned large and green and monstrous, or so it seems, and we kept you out of beams of light that should have made you sheen, and suddenly you were old – and better yet – you were told, “you look stunning with your parasol,” but to keep out of the light and they were right! yes, you were tired, no longer easily admired, you had simply long expired, no longer had what was required, and when we saw you later pass, we never gave a second glance we kept at a safe distant stance, and sickened you with nonchalance! But we will pay in time you see - Outside, the drought is thickening! The weight of our own piety will shatter our poor fragile knees.
5.
Oh, the thread in the grass start pulling - trees pop off, and float away... ah, the oceans drain, drain, drain. Oh, the dirt oh, the soot on the workers' hands washed off and washed away... oh, the back pain from a long day. And oh, there's got to be a fire when I get home - there's got to be thorned rose hands... la la - something - la la Oh! the sun's so yellow! Oh! the sun's so yellow! It's shaking in it's sky - moon comes up and says, "hey, you know, ya might need some shut eye." And the rain, the rain, the rain, the rain... the long way home - it's the only way home... oh, there ought to be a fire when I get home! There ought to be lit lamps there's got to be a way to see you... and oh-oh-oh-oh-oh-oh and oh! I lost my gold... I lost my golden grin... ah, where to begin? where to begin? EVERYWHERE! EVERYWHERE! ...fading ...fading ...fading
6.
I used to work in the belly of a pomegranate on the days when God took his naps, and the chill of the air kissed our lungs gently – gentle and brisk, and so familiar. I used to survey the parking lot from the multi-windowed spot above the home that held my mother’s pride and love. And the women with the cancerous skin – splotchy, loose, and desperate – came in. I, I, I, I wrung their wallets dry just to help keep them alive – to give them purpose. All the ants, they’d come to see me: a spectacle on Sundays, a feast just for the taking and the leaves oh so forsaken and the trains eating the quarters, quarterly magazines have written, “oh, these days have stopped their growing!” News that I guess is worth knowing. And the seeds that I’ve been stowing, oh, the pomegranate birthed from me, burst from me, like syrup from the maple trees keeping everyone so very, very, very, very close to my heart. I don’t usually say things like this you see, but I’ve been very, sigh, quite tired lately – the words just ramble out of me and seemingly they’re shades of orange and red and golden yellow brown and quite lonely sounding. An anvil of thought strikes bells in my neck – oh! bellowed cries ring right out of me, despite of me, and they say – they say – they say – they say, “dreamy, dreamy, dreamy! dreamy, dreamy, dreamy, dreamy b-b-boys! Dreamy boys! Dreamy boys! b-b-boys! Come swallow me up and steal me away jubilantly from all my timidly held trepidations – oh! they make me very tired.” and on with autumn fires. (repeat from “I don’t usually…b-b-boys!”). Come swallow me up and steal me away jubilantly from all my memories - they make me weary every now and then.
7.
Balloons 03:42
I walk the white haze eyes like vending machines devouring quarters doubling, distorted, from here I can see all the heat, all the debonair hysteria cool off, walk slow CRACKED legs, CRACKED teeth death sweat, dry lipped desperation… Clear back, clipped on slid off, curled up, waist clench, broad chest lungs press – neck a string head balloon I’m all balloons these days! I’m all balloons these days, I’m all balloons these days! I’m pressure and salt, I’m all burst open waiting, waiting, waiting, waiting, waiting, waiting, waiting, waiting – I’m all delirious when nobody notices I’m colors and lights! I’m all balloons these days – I’m all pop! pop! pop! I’m all pop! pop! pop! (etc. etc.) Let me take you in my stomach: a beauty picnic basket, oh! I love to hear you laughing. I am nothing but hot air, oh-oh-oh! to lift you up and swallow the sky, oh my, we must clear our minds! Cluttered with helium I’m healing ya’ with all that I have. But we’re all balloons these days… We’re all balloons these days… We’re all balloons these days – oh-oh-oh, oh-oh Put the meaning back in the words or give it away to La la LA la la La LA LA la La!!! la, la, la – we’re pop, pop, pop la, la, la – we’re pop, pop, pop la, la, la – we’re pop, pop, pop…
8.
Stilts 06:33
Well, oh my, the flowers have died - they were thirsty, but in your eagerness to please you flooded them. How every street light, in their vague manner, tried to mock the sun and dry them out... but they're all burning out, and no success... So, you pick 'em, dry 'em, for your dress - oh, the selfish, selfishness! It's just a half-hearted guess but you must have been birthed - birthed from a raincloud... from a raincloud... Oh, the oils will rise from the ground and we'll slip while we're running home - bringing the bouquets to our mothers. AND OH! here comes the Great Drought, and everybody on their stilts... ah, get over it. why don't you get over it. get over it. ah, why don't I just get over with it already alright.

about

"Outside, the Great Drought"
To download this album check out www.laughablerecordings.com !

is Hyena's first full length LP. The album, over two and a half years in the making, was recorded by Laughable Recordings in Maine, New York, Paris, Ghent, and some other places. It will see a vinyl, CD, and digital release in fall 2010 by Smeraldina-Rima.

thanks,
Laughable Recordings
Kennebunk, ME

Smeraldina-Rima
Ghent, BE

credits

released February 11, 2011

for this record, Hyena is:
Colby Nathan – voice, nylon guitar, many other things
Dylan Kumnick – drums, percussion

with lots of help from:
Spencer Murphy – upright bass (2, 7, 8), electric bass (1)
Zak Botsko – electric bass (3, 4), pedals and effects
David Bartner – electric bass details (1)
Nick Noto – electric guitar (1, 3, 7, 8)
Luke Einsiedler – electric guitar (1), cassette noise (1)
Lizzy Cook – cello (1, 7, 8)
Lauren Hastings – violin (2, 4, 8)
Spencer Rudolf – violin (7)
Floor Penne – violin (6), violin details (7)
Tom Hopkins – violin details (7)
Gabriel Jasmin – trumpet (1, 3, 4, 5, 8)
Owen Murphy – trumpet (1, 3, 4, 5, 8)
Gregory Dunn – trombone (2)
Isaac Nault – trombone (6)
Ian Schmidt – tuba (6)
Archie Carey – bassoon (2, 3, 5), bassoon noise (3), flute (2)
Timothy Cushing – vocals (4)
Dante Deleo – vocals (1, 2, 4, 6, 7, 8)
Lena Deleo – vocals (1, 2, 4, 6, 7, 8)
Nealy Bowden – vocals (3, 6)
Eve Axness – vocals (7)
Greg Hartunian – vocals (7), Tascam
Mac Sargent – vocals (8)
Christian Schwebler – vocals (4)
Carolyn Murphy – vocals (4, 5, 8)
Allie Yeatts, Colleen Pardue, Nealy Bowden – female group vocals (1, 4, 5, 8)


Tracked by:
Zak Botsko – electric bass (3, 4), trombone (2), bassoon/flute
Greg Hartunian – violin (7), upright bass (2, 7, 8)
Brian Crimmins – drums
Owen Murphy – trumpets
Joshua Kirby – nylon
Nick Noto – electric bass (1)
Colby Nathan – everything else

Mixed by:
Zak Botsko and Colby Nathan
with help from Greg Hartunian

Produced by:
Colby Nathan

All song written by:
Colby Nathan, yet
all arrangements established by various processes of give and take.

Mastered by:
Steve Berson
Total Sonic Media
Brooklyn, NY

Artwork by:
Monsieur Pimpant

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